Loads on click
Bosna žubori
Own composition on a text by Musa Ćazim Ćatić, narration by Irfan Kasumović.
Four centuries of repertoire, played by someone who never stopped teaching it.
Next concert 16 October 2026 Bosnian Cultural Centre, Tuzla All dates
First lesson at eight, secondary music school in Tuzla, then two conservatoires in the Netherlands — and the decision to come back.
He continued his studies at Conservatorium Codarts Rotterdam in the class of Dick Hoogeveen and at the Royal Conservatoire in The Hague, where he qualified as Bachelor and guitar teacher in the class of Enno Voorhorst in 2003 and took his Master of Music in 2005. Along the way came masterclasses with John Williams, Julian Bream, Scott Tennant, Carlo Marchione, Roland Dyens, Zoran Dukić and Paco Peña, and first and special prizes at competitions.
He has performed across Europe as a soloist and as a member of the Rotterdam Philharmonic, the Zeeland Philharmonic and the ensemble Mediterranean Sundance.
Since returning to Bosnia and Herzegovina in 2005 he has taught at the music schools in Brčko, Bijeljina and Srebrenik, where a classical guitar department opened for the first time when he arrived. His students have won a large number of prizes at national and international competitions, and several have continued at music academies across Europe. Today he lives in Tuzla and teaches guitar at the secondary music school there.
Alongside the concerts: the music for 40 episodes of the documentary series Putevi — zapis o zemlji after Mak Dizdar, two albums of his own released through CD Baby, and original scores for the theatre, among them Tajkun, Enigmatske varijacije, San ljetnje noći, Tri riječi and Medeja. He founded Guitar Fest Tuzla, which he still directs, and chairs the cultural association Eminent.
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Loads on click
Own composition on a text by Musa Ćazim Ćatić, narration by Irfan Kasumović.
Loads on click
Milan Prebanda, with Šejla Glinac on violin. The slow movement.
Loads on click
The same duo, own arrangement. Light, quick, over far too soon.
His own compositions from the album, released 2020. Twelve tracks in total.
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Three evenings, each with its own character: the classical recital, an hour of transcribed standards, and the Balkan crossover programme. Individual programmes for anniversaries, festivals or church spaces on request.
Four centuries in one evening, from a Bach Largo to his own pieces. The programme he currently tours.
Latin American pieces, jazz standards and evergreens, transcribed for classical guitar. Lighter in tone, same instrument, same care.
Traditional music of the Balkans, transcribed for guitar and opened towards jazz. Where the folk line stops and the improvisation starts is not always obvious — that is the point.
Programmes II and III are described from what Elvis has outlined so far — the individual pieces still need to be confirmed.
One to three days. Individual lessons in front of the group, a short recital in the evening if you want one.
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Starts at 72 and speeds up every 4 bars by 4 up to 120.
A festival for a city that had none. He founded it and still runs it.
A week of concerts and masterclasses that brings guitarists from across Europe to Bosnia, so students in the region do not have to leave the country to play for someone they have only read about.
Selected coverage from Bosnian media. Full press material is a single download.
An evening of outstanding artistic music, and a musical experience that stayed with the room.
The audience answered with long applause for virtuosity, musicality and interpretative maturity.
One of the most prominent guitarists of his generation in Bosnia and Herzegovina.
Four pages: portrait, biography in two lengths, all three programmes and the contact details. Everything a programme book needs.
Concerts, masterclasses, jury work, recordings. The more you can say about date, room and audience, the more useful the first reply will be.
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